As part of a research process following the thoughts of Walter Benjamin, I began experimenting with lensless digital photography (single and multi- pinhole), in an attempt to photograph as if from the point of view of the Angelus Novus. The Angel of History, who faces the past with his back to the future, “looks as though he were about to distance himself from something which he is staring at”. He sees the catastrophe in front of him, but cannot pause and repair what was broken, because the storm of progress pushes him away into the future.
The duration of exposure mimics the movement of the angel - staring ahead while being pushed away into the future. The attempt is not to capture the decisive moment, since pausing is not a possibility, but the movement itself, while the lack of a focusing apparatus moves the image away from the clear and defined towards the uncertain and fragmented. This fragmentation and distortion, as well as the black and white colour scheme, creates a sort of stop, a caesura, in the everydayness, through which the past can can be revealed. My most recent experiments with multi-pinhole photography are another step in this direction.
In the lensless digital videos, the duration starches the moment of staring ahead while being pushed away into the future, making the movement itself evident. Within the fixed viewpoint, the storm of pixels caused by the high ISO could be seen as the same storm, which “irresistibly propels him [the angel] into the future to which his back is turned, while the pile of debris before him grows skyward”.
Since moving from Jerusalem to Berlin over a year ago, this perspective, this filter, guides my wandering through the city, within the ruins and fragments of history, attempting to turn the (ethical) look back to the forgotten (or, to a forgotten). Trying to open a crack into what was, while Remembering Forward.
The Spring Exhibition, Kunsthal Charlottenborg, Copenhagen, 2017
Curators: Alex da Corte, Torben Ribe, Stig L. Andersson, Byggstudio, Line Clausen.
Form Follows Funktion, Prince Charles, Berlin, 2017
Capture The Moment, Galleri Norrsken, Stockholm, 2017
Curators: Daniel Nagy, Alice Maselnikova
2017 Krappy Kamera Competition, Soho Photo Gallery, New York, 2017
Curator: Russell Joslin
Zweibahnstraße, Sprachsalon, Berlin, 2016
OD RA DEK, Pflügerstraße 70, Berlin, 2016
Hamekarer, Tel Aviv, 2015
Curators: Iris Pshedezki, Gili Zeidman, Omri Ben Arzi
40+08 Art Marathon, Be’er Sehva, 2015
Curators: Or Frish, Michal Lyptsher
2012 - 2015
The Honours Program in the Humanities and Arts
B.A. | Magna Cum Laude
Tel Aviv University
2010 - 2013
Evening program | Graduated with Honours
Camera Obscura School of Arts | Tel Aviv